Our group’s intention was to leave the effect of contrast in the opening. The scenes alternate between the present, after/during the murder, and before. This includes scenes where Summer, the sister, meets her twin’s groom. The key element in this is dialogue. The dialogue is used to show the conversations and events that occur leading up to the murder in present time (i.e. being chased), which is contrasted by the fond and serene conversations prior to it occurring. We also wanted the film to come with an eerie or anxious tone. In order to bring this out, we intend to use a soundtrack throughout the film. The music will include high and sharp notes, intended to be exciting and climatic. There will also be diegetic sound. This will include footsteps, the sounds of Autumn’s body against the wall, as well as the crash of a lamp. We decided to include this in hopes that it would give our film a raw and realistic feel to it, something that is crucial to our genre.
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